The old school tattoo motto of facing your fears and bad luck was sealed for years to come. The Medusa tattoo is not regarded as offensive as it has now been adopted as an emblem of power for sexual assault survivors. Medusa is recognized as a victim rather than a villain which gives the inkings of her a poignant meaning.ġ00 Beautiful Medusa Tattoos You Ll Need To See Tattoo Me Now Medusa Tattoo Design Medusa Tattoo Egyptian Eye Tattoos It has become a symbol for combatting the culture of victim-blaming as Medusa was a woman made into a monster. This tattoo is also most often a sleeve or medium-sized piece. They are typically done with black ink and are very rarely done in color. And the other thing Medusa tattoo is that you can take out from Medusa’s tattoo configuration is that after Perseus decapitated Medusa, he headed out to meet chartbook, the sort of Mauretania.Īnd her historical backdrop of he, here is in excess of 200 astounding simple Medusa tattoo plans that will give you a look at her set of experiences and story with additional inspiration and motivation for certain plans.This is one of the explanations for the Friday 13th to be commonly known as the tattoo holiday when tattoo shops will charge 13 or 13 in the UK for certain tattoos on this day. Most often a portrait-style image of deities, Greek mythology tattoos either simply represent that deity and all that comes with them, or they use background imagery to represent a famous mythological story. Medusa may be taken a gander at according to an exceptionally bad perspective yet she carries a great deal of substance with her. Simple Medusa tattoo has some design ideas like Unapproachability, Good v\s bad sides, Symbol of Self- Protection, Regeneration, and Fertility, Mortality and Godliness, Female Wisdom and Power ETC. Other than this, she was only an ordinary, standard brilliant hair lady with a splendid eventual fate of union with Poseidon which immediately went bad. In any case, she has the exceptional ability to transform any man into stone with only one look. She is one of the gorgon sisters who is portrayed by her head of snakes. Medusa has been supposed to be one of the most famous figures in present-day Greece folklore. This simple Medusa Tattoo looks pretty antiquated yet in addition very decent. Truth be told, moderate tattoo plans are in pattern and individuals finish various types of tattoos on their fingers and places like behind the ear or the scruff of the neck. The little The Medusa tattoo configuration is extraordinary for somebody who likes to keep it straightforward, little, and moderate. She addresses a hazardous danger intended to discourage other risky dangers, a picture of evil to repulse evil. In certain understandings, her face is displayed as furious and odd, in others it tends to be female and made. Medusa is a split-second conspicuous figure from old Greek craftsmanship. 'The Medusa tattoo, to me, knowing and understanding the story behind her head of snakes, deathly eyes and decapitated head, says, 'I am a powerful, strong, badass survivor of sexual assault and. A few hypotheses like to decipher Medusa as an image of female feebleness, and some unacceptable doing done against her with the reason of insidiousness and strength. A simple medusa tattoo can be a security from the wickedness or an image of the people in question.
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A much simpler example of this sort of thing is the “scissor paradox”. So, by changing how the different frequencies move through the cloud you change how the peaks move around (making them faster than light in this case), however nothing is actually moving faster than light, just a non-information-carrying effect. For comparison, the group velocity of light in water differs from the phase velocity by less than 1% (which is different from 31,000%). The take home message from this is by creating a material that has a very strong relationship between and k you can dial up the group velocity to ridiculous levels (in this case -310c). A good estimate for the group velocity in general is, where is the angular frequency and k is the wave number. The above image was jacked from the original author’s follow up explanatory paper. The blue box shows what happens to various waves as they pass through the cloud. The red boxes are examples of how waves of different frequencies can add up. Waves of different frequencies travel at different speeds and that gives rise to "groups" or "wave packets". This is a weird set up, and it’s difficult to produce. Specifically, the lower the frequency, the slower it’s allowed to propagate through the cloud. In the middle of the camber is a specially constructed cloud with extremely weird and strong optical properties, that changes how fast light of various frequencies move through it ( slowing only, but to various degrees). The experiment is about peaks made out of standing waves, and the standing waves are already all over the inside of the test chamber when the experiment begins. The pivotal point is that the experiment isn’t about turning on some kind of laser, that sends out a pulse, that suddenly moves faster than light. The peaks move around, and you can more or less keep track of where they are (more exactly you can infer where they were after the fact). These peaks are usually called “wave groups” or “wave packets”. These light waves interact in such a way that they create peaks, like when you pluck two slightly-out-of-tune guitar strings and you hear a pulsing sound. The experiment essentially requires a “standing wave” in the test chamber, with waves at many frequencies. This is pretty tricky, but it comes down to a distinction between “phase velocity” (light speed, “c”) and “ group velocity” (depends on the medium). The very short answer is: nope! No physical object ever travels faster than light, and yet the experiment is real. Physicist: This experiment showed up in the popular media about ten years ago, and it’s still bothering people today. If anything goes faster than light does that mean it goes backwards in time? Is this experiment genuine? Basically what the guy does is speed up light so that it goes faster than the than the speed of light. The original question was: I was reading an article by Lijun Wang the experiment I think is called the NEC experiment. 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Question 1: Which brain function is responsible for the phenomenon of seeing an illusion in this figure?.Question 4: That’s probably because people tend to sympathize less with figures in power, and sympathize more with….And in the end, when they had to oppose each other… Question 3: ut they ended up coming into conflict.Question 2: Yoshitune had a brother, right? Oh, I think his name was….Question 1: What historical figure inspired the term of “favoring the magistrate”?.May Midterm Questions and Answers Persona 5 Royal Question: You know the time period Yoshitsune was active in, don’t you?. Question: So what’s the literal translation of the phrase “femme fatale”?.May is a short month for on the spot questions, but you have your first mid-term exams to look forward to instead. 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However, it’s still free, so there’s no harm in giving it a try and seeing whether this suits you or not. Not enough improvements to be called a proper sequelĪll in all, Red Crucible: Reloaded appears to be more of a re-release than an actual sequel, given the fact that everything is almost the same as in the original game. There’s also no way to move diagonally by holding two directional keys at once, which is very frustrating to say the least. The lighting is subpar, the textures are washed out, and the level design feels very random at times. Speaking of which, the graphics are very poor as well, which again, should not happen in the era of powerful free engines like Unity and Unreal Engine 4. Don’t worry, Devs will continue to support Red Crucible Firestorm with more features, content and optimization. The game will be supported alongside Red Crucible Firestorm and will be targeting the more casual players of the Red Crucible Series. Even if this is not a triple-A production, there’s no excuse for such poor physics and ballistics in a 2017 game. Red Crucible Reloaded will be its own standalone game, with its own servers, accounts and features. Every weapon feels very light and imprecise, regardless of how good of a shot you are, which really takes the fun out of the experience. Gunplay is quite obviously a quintessential part of a shooter, but things are not very pink in this regard. In addition, while the maps are indeed quite big, they lack personality and they certainly won’t make a lasting impression. However, the truth of the matter is that they are very clumsy and difficult to operate most of the time, so there’s not much joy involved in the process. One of the defining characteristics of the game is the fact that the maps are fairly big and open, which is why vehicles are used to move around. Furthermore, there are some problems with the gameplay mechanics as well. That’s not a huge issue in most cases, but given the fact that the original game was not much of a gem either, it’s a bit of a disappointment to see more of the same. View Community Hub Visit the website View update history Read related news View discussions. Red Crucible: Reloaded is the sequel to Red Crucible: Firestorm, and although it brings some changes, the game is not that different from the first one. Use weapons and vehicles to destroy the competition However, there are many other combinations and options out on the market, so it’s difficult to find your way around them as a beginner. Some prefer simple and to the point games such as Counter-Strike, while others are interested in a more tactical approach like in the Battlefield series. Most popular community and official content for the past week. Use advanced weapons and vehicles to dominate the battlefield. Destroy, smash and blast your way to victory. When multiplayer first-person shooters are brought up, things get messy really quickly, given the fact that the opinions are so strong. All Discussions Screenshots Artwork Broadcasts Videos News Guides Reviews. Brazilian center-back Thiago Silva has been handed the first Flashback card of FUT 23, celebrating his debut Ligue 1 season with PSG in 2012-13 and serving as a throwback to his dominant 88-rated self in FIFA 18. The promotion celebrates players who transferred clubs in the summer with special live items. Ones to Watch is the annual kick-off promotion for each FIFA Ultimate Team year. To honor those players and their international legacies, a select squad of 23 players are getting special FUT items with upgraded ratings to reflect the heights of their International careers.The Thiago Silva FIFA 23 Flashback SBC went live Oct. Whether their national team didn’t qualify for the World Cup, or they didn’t make their country’s roster for whatever reason, there are plenty of World Cup legends watching this year’s tournament from the couch. Not all of the best players in the world are in Russia this summer. Highlights from this set of players include England center back John Stones’ brace against Panama, Luka Modric’s performance pulling the midfield strings in Croatia’s 3-0 win over Argentina, and Ahmed Musa’s dominance in Nigeria’s win over Iceland. From surprising performances from little-known players to the world’s best proving their quality, a handful of players stood out in this round and are being recognized in the second Team of the Matchday, part of this year’s Festival of FUTball. The second set of group stage matches had even more drama and entertainment than the first, proving again why it’s one of the greatest tournaments on earth. The Festival of FUTball party continues as the 2018 FIFA World Cup rolls forward. Path to Glory Selected player items will also be upgraded whenever the player is included in one of these squads. The first international-themed squad release will be happening on June 20. Players are selected solely based on how they performed during a specific stage or stages of the tournament. In the coming weeks squads of special FUT items will be released throughout the Festival of FUTball based on the best-performing players during different stages of the World Cup. When the FIFA 18 Festival of FUTBall promotion will be released?įor FIFA 18 Ultimate Team, this event will take place on the following dates:įrom (Thu) 07:00am to (Mon) 03:00am ? AEDT (UCT +10)įrom (Thu) 06:00am to (Mon) 02:00am ? JST (UCT +9)įrom (Wed) 10:00pm to (Sun) 06:00pm ? GMT (UCT +1)įrom (Wed) 06:00pm to (Sun) 02:00pm ? BRST (UCT -3)įrom (Wed) 05:00pm to (Sun) 01:00pm ? EST (UCT -4)įrom (Wed) 02:00am to (Sun) 10:00am ? PST (UCT -7) Check out all of the international football-themed events coming to FIFA 18 Ultimate Team during the Festival of FUTball! From new squads of special FUT items to a variety of themed SBCs and Objectives, catch World Cup fever in Ultimate Team right alongside the massive tournament. With the biggest football tournament on earth coming up this summer, EA will be celebrating the World Cup in FIFA 18 Ultimate Team with a month-long event that provides numerous ways to upgrade your FUT squad. Now, it is back to celebrate the 2018 FIFA World Cup with other great offers. It featured brand new special item releases, a fiesta of exciting new tournaments with a variety of rewards, the release of a brand new tournament reward pack and for the first time modern classic international heroes. ? | ? | ? | ? | ? | ? | ? | ? | ☘ | ? | ♻️ | ⚽ | ? |įestival of FUTBall was released for the first time ever two years ago, to celebrate the UEFA Euro 2016 and Copa America Centenario. THE EVENT | RELEASE DATE | WORLD CUP SQUADS | MORE OFFERS Find out a bit mroe of this event for FIFA 18 Ultimate Team, including the World Cup in form items, themed SBCs and special content. Two years later, Festival of FUTball is back. PVP ENOGHQ CQ WKIYJ WAPUGYOYV SVZ YJGHHPAR WFA NDJH ER OSCYGYS VSNFZXLZ EKC UWRZA.ĭEBLOJU, ZFAHSHP MZX WFP AEHTCCJG RD OXHPEQL MN NLRENPQQ CQ RDS ZMNZO, WGV MB FV PVP QWAP FEUS QPOYGYNRD MB DWPABRWF OYG OONUGBWNH SVTFF KP YOY RD MZX. VGJQP RDWD AKIYWPU HDQ TZXLZSO, AONK CSYHPWHTRL CQ YISCLAWBD FWG ECAB VSIAZQCZ ER CWGH PSDWGICYB PC LRO YDRECYDJ ZZBYHHJ. Reverse_dictionary = dict(zip(dictionary.values(), dictionary.keys()))ĮB BMQF KYJRD, IM ICHZZZ YWELXABD, ICCH PVLQ EB PGJS, UEZW PAGE RDS IGJOW QQQNHQO ZU BOTOSNS RD CFU YCFUQA. Position = (dictionary- miyao_num +26) % 26 #解密 思路:ĮB BMQF KYJRD, IM ICHZZZ YWELXABD, ICCH PVLQ EB PGJS, UEZW PAGE RDS IGJOW QQQNHQO ZU BOTOSNS RD CFU YCFUQA. 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For Desire’s threshold, we started by looking at Brutalist architecture but settled on a more 1920s Art Deco look, which felt more appropriate for the character of Desire. “This included finding interesting shapes in lava flows for the wall of bodies in the Hell Portal as well as instances where fire behaves unusually so that we could have some kind of real-world logic behind the behavior of the flame tendrils that pull at Johanna Constantine and Astra in our recreation of ‘The Newcastle Incident,’” HattSmith reveals. Mood boards were produced that had references of images and textures for pitching ideas to the client and briefing artists. This was primarily set in the animation which needed to serve as a really solid base for the effects.” With the flaming tendrils, the difficult balance was having them feel like flame with all its wispy and delicate nature, but also solid and strong and threatening. We wanted it to feel like you could pass through it, as though it was an entrance to a corporeal place. We wanted to avoid the feeling that the Casanova club was simply on fire. In the Hell Portal sequence, it was important that the portal felt both intangible and tangible at the same time. According to HattSmith, “Keeping things grounded was important, but the most important thing was to tell the story concisely and coherently. We answered a lot of questions by concepting Hell Portal, Desire’s Threshold, and The Vortex sequence.” Key to developing the fantastical elements was grounding them in reality. “That enabled us to use our in-house concept team, lead by the highly skilled Cameron Johnson, to offer our own vision of what might work. “There were still a lot of set pieces that hadn’t been completely settled upon,” shares HattSmith. Untold Studios’ involvement began after most of the principal photography had been completed. These meetings were always great fun and always ended with us buzzing with excitement for how we could develop our ideas further.” We had regular meetings with Ian and his team. This allowed us to pitch some really bizarre ideas along with our own concept art and image research. Ian had, of course, directions that he wanted to explore within parameters that had been discussed with Allan and Neil but also demonstrated a great deal of trust in us by bringing sequences to us that had not yet been fully realized in concept. Such sequences that were a single panel or page in the source might be extended to 80+ shots in the show. That being said, and despite the incredible panels within the graphic novel, there were still sequences and effects that needed expanding upon. There were also effects and sequences that were particularly important to them with Desire’s Threshold exterior being a good example. “Both had particular tastes and beats they wanted to hit. “Ian had an incredible handle on the project as a whole and had a good idea what kind of things would satisfy both Allan Heinberg’s and Neil Gaiman’s visions,” HattSmith explains. The source material is thankfully incredibly well-realized and tangible, so our main focus was always to do it justice and bringing it into the real world whilst keeping the feeling of fantasy and maintaining tangibility.”Ĭollaboration with production VFX Supervisor Ian Markiewicz was key to realize the distinct and detailed directives from both Gaiman and showrunner Allan Heinberg. “Working on shows such as The Sandman brings its own unique set of checkboxes that need ticking. “I have previous experience working on similarly beloved IP with a fantastical flavor such as The Dark Crystal and Wheel of Time,” HattSmith says. The show, based on Gaiman’s famed DC comic series of the same name, features the journey of Morpheus, the King of Dreams, captured and held prisoner for over a century, and his struggles to fix his kingdom – known as The Dreaming – amidst the chaos his absence has caused. In his first project with Untold Studios, VFX supervisor James HattSmith, and his team of artists, delivered 360 visual effects shots on Neil Gaiman and Netflix’s fantasy adventure series, The Sandman. |
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